Alexandra Kehayoglou (Buenos Aires, 1981) is a visual artist who works primarily with textile materials. Sarah Press Using scraps leftover thread from her family’s carpet factory located in Buenos Aires, artist Alexandra Kehayoglou produces handmade wool rugs that mimic natural textures like moss, water, trees, and pastures. As the leading voice for all children in America, the Children’s Defense Fund pays particular attention to the needs of poor children, children of color and those with disabilities. However, her art rugs have a message that goes beyond the local landscapes featured in her works. Alexandra Kehayoglou rugs are created from the artist’s own memory and research into the disappearing grasslands and waterways of her Argentinian home. "I realized that the knowledge of rugs I had was in my genes. Argentina-based artist Alexandra Kehayoglou, however, is taking that concept several steps further with her breathtaking rug designs, which recreate nature's beauty. A real swing was suspended from the ceiling. Her renowned pastizales (grasslands), fields, and shelter tapestries are like sublime realities which the viewer can contemplate or utilize. There are only three months left for social workers to reintegrate at any cost the women they care for: falsification, pistons, lies - From now on, everything is allowed. She creates her pieces in her studio in Buenos Aires, utilizing a wide array of technical skills with which she produces works combining textiles, sculpture and installation. Kehayoglou’s repertoire includes memories of various native landscapes that the artist has visited and desires to preserve over time. On the ground, the piece sprouted tufts of grass. Not technically a weaver, Buenos Aires-based Alexandra Kehayoglou uses her loom to produce hand-tufted carpets that act as maps of endangered landscapes. A new book examines why 'Gone with the Wind' dominates popular memory of the Civil War—and which forgotten stories of that time are worth remembering She is primarily interested in the production processes linking art to the craft and developing a functional work of art, where the knowledge of materials, technique and the unifying concept of the work are combined as inseparable components. Refugio para un Recuerdo (Refuge for a Memory) by Alexandra Kehayoglou is a fiction, an emulation of a grassy knoll hand made from left-over yarns, offcuts and discarded textiles. Alexandra Kehayoglou. Memory and Environment: Alexandra Kehayoglou & James Geurts in Bendigo, La Trobe Art Institute, Thursday, 14. Kehayoglou, who grew up in a family of rugmakers, started making nature-inspired carpets in 2008. Dear Shaded Viewers, I keep this beautiful memory from the Dries Van Noten S/S 15 show in Paris where models walked on this lush carpet bringing nature into an industrial space and at the end of the show they all sat down and stretched on the carpet artwork of Alexandra Kehayoglou. Argentine artist Alexandra Kehayoglou crafts wool rugs as unique works of art using a hand-tufting process that takes several months to complete. Posted by Fabio 9 May 2019. alexandra kehayoglou hand-tufts carpeted pastorial landscapes of sublime realities #art. Every small donation is greatly appreciated and it is directly used for the rescues and the welfare of the animals at the shelter. Her artwork includes a catalogue of memories of different native landscapes that the artist has travelled and wants to preserve fromthe passage of time. Alexandra Kehayoglou. Kehayoglou comes from a long family tradition of textile artisans originating from Egypt and who migrated to Buenos Aires close to 90 years ago. This is the Official Takis Shelter channel. Each carpet Kehayoglou creates is hand-tufted in her studio, made of materials retrieved from the factory El Espartano. From product design to the creation of environments, experiences, services and identities, the new NGV Department of Contemporary Design and Architecture embraces an important role to collect, examine and present the most interesting trajectories of design and architecture today. In Winter-Passing Chair (2018), the seat of a beach chair is draped with an image of the sea that pools onto the floor like sand, as if recalling a sun-dappled summer holiday in the cooler light of winter. Alexandra Kehayoglou is a visual artist who re-defines carpet weaving by developing large format sculptures in textile media. Alexandra Kehayoglou. Following a municipal decision, SDF Women's Shelter, will close.